"The diversity of the participants made for extremely useful discussions that shed light on many different aspects of HIV/AIDS."
Member of the national jury, Niger



"I am really moved by the scenarios that I've read. This has been a fantastic experience for me. My community will benefit greatly from the work we have done here."
Member of the national jury in Burkina Faso







"It's all been very useful, very enriching. One learns an enormous amount, especially about the way the youth perceive, cope with and put into action anything to do with HIV/AIDS. One is forced to enter into the psychology of African youth and that can only help in understanding and improving our environment."
A member of the international jury from Ghana






"It is a new kind of evaluation that will allow me to readjust strategies and activities, to know which resources to use for different target groups, and to improve communication techniques and messages."
Member of the international jury from Togo



"Taking part in this jury has allowed us to gauge the impact of messages that have been directed at young people and to evaluate the possible interpretations of the messages and images. It's very useful feedback that will help shape future trends in IEC."
A member of the national jury in Senegal



"As a member of a care and treatment association for people living with HIV/AIDS …, I have been able to identify relevant points that have not been understood and upon which we must place greater emphasis."
Members of the national jury in Togo



"Our participation has allowed us to evaluate our strengths and weaknesses. We get the impression that young people's scenarios are a real 'social thermometer' that helps us to evaluate levels of knowledge in society."
Members of the national jury in Niger




"As a film director, the selection process has opened my eyes to the necessity of communicating more often and more effectively about HIV/AIDS."
Members of the national jury in Senegal






"I will be shooting some of the [Scenarios from Africa] films. The comments of my fellow jurors have helped me to clarify and specify the intentions, objectives and appropriate approach of the films."
Fanta Régina Nacro, film director, member of the international jury from Burkina Faso

Selecting the Winning Ideas

Photo of member of preselection jury, SenegalAfter each contest, the winning scenarios are selected by juries made up of former contest winners and other young people, specialists in HIV prevention, treatment and care, people living with HIV, and experts from the realm of film production.

In the 2005 selection process, a total of 234 people from 203 different organisations served as jurors at the national or international level. In many cases, the selection process provides organisations working in the same area with an opportunity to get to know one another and to collaborate directly for the first time. The participation of individuals from a range of different fields creates a forum for rich debate, with jurors able to learn from one another's unique perspective.

Photo of two female jurors, MaliJury members have discovered that the scenarios provide remarkable insights into the thoughts, ideas, language, and perspectives of the young people. They see the selection process as a valuable means of assessing young people's needs and of evaluating the communication work around HIV/AIDS that has been carried out to date.

The average SCENARIOS FROM AFRICA juror reads over 100 creative works on HIV/AIDS by young people. The entries are also discussed at length by groups of jurors. Through this process, jurors are able to identify areas where young people have misunderstood important messages, and to formulate ways to adjust the response to the epidemic so as to take young people's views and needs into account. After studying the scenarios, many jurors identify ways to apply their newfound knowledge in the context of their own work. The jurors' findings are also compiled in a report on Jurors' Observations and Recommendations for wider circulation.

When jurors are asked how they have benefited from the selection process, their most common response is that they have been able to evaluate the impact of HIV-related activities to date. That evaluation might apply to the overall efforts of the HIV community in a given country or zone, to the programmes of an individual organisation or school, or to their own work in the field. The selection process is a way for jurors to identify geographic zones that require special attention. Those who serve on international SCENARIOS FROM AFRICA juries have the opportunity to compare the relative strengths and weaknesses of HIV-related efforts in various countries.

The thousands of creative, often highly imaginative works contributed by the contest participants are a unique goldmine of information for researchers, prevention specialists, trainers, members of theatre groups, and so on. During the selection process, jurors invariably express dismay over the fact that only an extremely small percentage of scenarios will be turned into a SCENARIOS FROM AFRICA film. They come across many creative works that they would like to make use of in their programmes. Jurors are actively encouraged to do just that, as long as the young author is always prominently acknowledged and none of the scenarios is used in a for-profit venture.

Typically, the group of people who state that they have learned the most about HIV/AIDS in the course of jury work are those who work in film production. SCENARIOS FROM AFRICA juries include directors, producers, scriptwriters, actors and actresses, and costume designers. Each year, one or more of the internationally acclaimed directors who go on to transform the winning ideas into short films is a member of the final selection jury.

Photo of Idrissa Ouedraogo with young contest winnerA team of filmmakers has transformed some of the winning scenarios from the contests into a collection of 28 films, each between 2 and 15 minutes long. Wherever possible, the young contest winner works with the director and production team during the film production process.